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Material/Pure Silk
Expressing Higashiyama mountain,kyoto, filled with full bloomed mountain cherry blossoms.
Original picture of artist "Toru Kihara" |
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Design Frame-White Cherry Blossoms- (March〜April)
The lower side of Bocashi at the right of the back of the kimono that was called "White cherry blossoms" was clipped. White cherry blossoms with power and the appearance of solidity were made downward, and the upper part made to a white pulling out, and gave the Bocashi dye of purple downward. Settling down of a white clean feeling and purple Bocashi expresses glossy.
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Design Frame -Wisteria-(May)
It is back part of the sleeve of the kimono that is called "Wistaria". The Bocashi dye of thin green was able to be given to the white cloth of the cherry blossoms pattern, to disperse the red, white wistaria flower small, and lovelily, and a fresh capital yuzen pattern. The part where the white cloth was emphasized clipped from the sleeve.
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Design Frame -Wisteria-(May)
It is back part of the sleeve of the kimono that is called "Wistaria". The Bocashi dye of thin green was able to be given to the white cloth of the cherry blossoms pattern, to disperse the red, white wistaria flower small, and lovelily, and a fresh capital yuzen pattern. The part where the white cloth was emphasized clipped from the sleeve.
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Design Frame -Cosmea- (September〜October) / Pure Silk
Cherry blossoms were imaged in autumn when autumn bloomed all over at dark in the surface of a river. A red, purple, yellow Miyomiz sink is sprinkled in the white cloth of the silk solid color and cherry blossoms are sprinkled in small autumn of the Bocashi dye and four colors.
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Design Frame -Autumn tint- (November〜December) / Pure Silk
The leaf of the autumn tint of red, yellow, and the yellow ocher was made to grow thick up, and the Bocashi dye of yellow that imaged autumn was put downward. It is a capital yuzen design that puts the gold dye in the leaf of the autumn tint with feeling of luxury.
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